Material Generation: Our Actions & Energy are Key

Introduction:

MATERIALS. When we generate (create) an idea, we format MATERIALS into the shape we seek. This format can be tangible or intangible.

In this observation, I will discuss how personal oscillation and our level of resonance frequency sets the foundation for our material understanding.
— — —

We use the words “generate”, “generator” and “generation” interchangable with the words “create”, “creator” and “creation”


Actions &
Energy Are
Key when
Generating

To generate an idea into physicalness, we must have a “glue” of some sort to work with, a system that allows all the building blocks to group together. Energy is what we use as this “glue”, and energy requires that everything oscillates so that it can form physical weight.

Everything physical whether it’s light or matter — must move.

The vibration that all these oscillations emit allows micro parts such as elements, atoms, and molecules to bond and form e.g. objects.

Being great at generating (creating) means we must master how to guide and produce this energetic “glue”. When we generate anything at all, we take molecules from one structure and reformulate these into new geometric shapes. This is how we e.g. form a chair out of wood.

This reconstruction becomes possible thanks to our actions. There must be a muscular momentum of sort for us to reshape the wood; action is one of the key ingredients. The energy that our body runs internally also plays into this. As a result, we must make sure to optimize our bodies no matter our previous experiences, especially if we want to achieve mastery in generation (creation).

Increased oscillation means that our body can generate more potent, larger equations — our creative results become more vibrant.

Our bodies’ energy production allows us to perform various movements, such as:

  • Lifting

  • Blending

  • Shaking

  • Building

  • Melting

  • Freezing

  • Manipulating

  • Holding

  • And much more

All these are energetic sequences produced within the body itself. To make anything become real and physical, our actions are essential.


Each Material
Age Represents
a Resonance
Level

With this information in place, including the three previous parts of this series, it is now possible to form an observation on why our culture categorizes our experience as material ages.

I will now state my main observation when it comes to the material ages, and I invite you to form your own.

To me, the material ages represent:
1) Various learning periods
2) Periods we have mastered particular levels of oscillation and resonance frequencies

As a result of these two factors, we have unknowingly archived the history of our material understanding in the manner that we have.

All eras represent phases of our culture’s oscillation capacity, not the materials’ potential of existing. The various material possibilities have been around throughout all the ages.

The material ages indicate to us when we entered a new level of resonance and frequencies. Through the mastery of one material level, we form the mandated knowledge to enter the next.

I see each of the material ages as a resonance level.

To me, this also explains why we have spent longer times in certain ages than others. Resonance acts slower in the beginning, and the more resonance we build, the more energy we can drive. Each cycle allows us to move through the next one quicker.

In the stone age, we mastered stone’s energy, oscillation, and resonance frequency. We then entered the bronze age. The primary point here is that our knowledge of stone made it possible to learn about the resonance frequency of both iron and bronze.

Bronze’s capacity was always around during the period of stone. It must have been. In mountain-pockets buried deep; it takes millions of years to form tin and copper, which are the materials we combine to make bronze.

This means that throughout the stone age, the capacity of bronze was already available. However, we were not ready to understand this resonance frequency at that time. It took a while for us to download the information around tin, copper, and bronze.


How Resonance
& The Thought
Process Are
Connected

The level of resonance that our culture resides at dictates what material knowledge we collectively download.

Our personal oscillation’s compatibility with various materials has progressed through resonance stages such as iron, bronze, glass, and electricity. Each era represents a step (a new level) where our resonance frequency increased in oscillation. I see the same pattern in our thought process. This really becomes apparent when we study the progression of physics.

First, our culture had to understand the larger overall concepts, and with time, we moved into more intricate and detailed theories.

For there to be a theory about quantum mechanics, we had to experience Newtonian physics (“classical physics” taught in school). Before that, general concepts such as “Does the Sun circle around the Earth?” or “Do we circle around the Sun?” had to be defined.


Generative
Mastery
Requires
Flexibility

Problems occur when we attach ourselves to our first version of our observation.

Often, we refuse to improve our perspective, even though new information constantly presents itself. The new destabilizes us, and we react by digging our heels in even deeper; we cling to our “old” narrative. A highly dangerous situation that is fed by our fear of mistakes, wrongdoings, and being “out of place”.

The level of oscillation that we hold determines how we experience life and the amount of energy we can handle. Gathering more data and experiences should enable us to understand the more potent versions of our equations.

We can’t resist moving from our “stone age” into our “bronze age” only because we are fearful and confused.

Movement is natural and progression does not mean that stone is now out of the picture. It simply means we have more materials to work with: stone, iron, tin, copper, and bronze.


We Must
Learn from
the Past &
Form New
Futures

As generators, we must see things from the most well-rounded perspective possible. While doing so, we should remain flexible about how materials and our generative process works. This is the only place where true, clean creativeness can thrive.

There are many new ways of forming materials that are already available to us today.

We can comprehend these new possibilities if we keep our eyes peeled and our oscillation potent. Our inner superpower is the thing that makes all of this possible. Through the laws of resonance, we attract and become attracted to other compatible resonance frequencies. Like removing a veil, the world can open up in front of our eyes today.

All it requires is that we run an increased energy that can emit stronger vibrations, while staying grounded. Through that, we can generate more potent outcomes and possibilities for ourselves and our culture.

In the next episode, I’ll discuss what a “download” is and one reason our culture experiences download-similarities.


 

Our inner superpower is the thing that makes all of this possible.

- Kissey Asplund
Kissey Asplund mediating in the sunny forest with blue velvet pants and white t-shirt

words, photo & artwork by Kissey Asplund

© Generation Watts — all rights reserved.

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Kissey Asplund is a creative consultant specializing in the process of generation & creative subatomic energy. She is the founder of the creative wellness hub Generation Watts, and has gained international recognition as a music producer, multi-disciplinary artist and DJ. Her journey of researching how to use meditation to enhance creativity began at 17. Today, she teaches others how to connect to their inner superpower and hone their creative-mastery. Learn more about her virtual creative consulting service: The Equation Sessions™



series summary:

Our understanding of materials is based on our generative capacity (creative capacity) of vibration. The more we understand our personal energy, the more masterful generators (creators) we can become.

Throughout this series, A Perspective on Material Evolution and Human Creativity, I will discuss how our cultural understanding of vibrations and material evolution relate to each other.

This is a multi-part series, you can read all the parts here. Each supercharged observation is published every other Wednesday.

-Kissey Asplund


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